Live Nation presents UNDEATH plus special guests: SLIMELORD live at Downstairs at The Dome

New York-based death metal greats Undeath emerge from festering slime with their new album, More Insane, for Prosthetic Records. Previous album It's Time... To Rise from the Grave caught a wave of acclaim on TheNeedleDrop's YouTube channel, earned Best New Music from Pitchfork, and, most impressively, rocketed to the top of Decibel Magazine's Top 40 Albums of 2022, along with a coveted cover feature. On More Insane, Undeath—featuring Kyle Beam (guitars), Alexander Jones (vocals), Tommy Wall (bass), Jared Welch (guitars), and Matt Browning (drums)—feast on the rotten flesh of brutality, complexity, and depravity. Singles "Brandish the Blade," "Disputatious Malignancy," and the title track are imbued with death metal's immortal soul but possess Undeath's inimitable energy, pit-friendly hooks, and work-hardened ethos.

FORM Presents SPIKE FUCK plus supports live at The Dome

For ten years Melbourne’s Spike Fuck has existed more as a messy myth than an artist – sporadic works forever poised on the precipice of triumph, rumours of death or insanity and so on. Spike’s foray into music in 2015 served a cultural fantasy, not by any overarching sense of ambition, but rather a would-be, cosplay pop star arrested by his own devices and whose melancholy wove through unlikely cultural circles. His sole body of work, The Smackwave EP (Partisan Records), addressed themes as literal as the title suggests: drug use, gender identity, religion and existentialism. Soon after its release, Spike was swept up in the whirlwind of unexpected success, moving from underground warehouse parties to being draped in high fashion and editorial photoshoots accompanied by interviews, in which he gave unrelenting and uncensored details of his life. 

On the precipice of breakthrough, Spike disappeared. Bootleg uploads and comments on old YouTube videos discussed possibilities that seemed wild but believable, given Spike’s nature, fueling rumours of monastic solitude, relapse, or reinvention as a LinkedIn-worthy daytime professional. Only the most sincere have kept his myth alive. 

Slam Dunk presents SHORELINE plus support from JETSKI and THE BURNT TAPES live Downstairs at The Dome

Dear friends,

Unfortunately, we have to cancel our upcoming EU/UK shows in November. There are a few reasons for this, which we’d like to explain to you as transparently as we can at this time.

Shoreline will be touring extensively in 2027, but some of these touring opportunities are only possible if we don’t play the shows in November. We will announce a bunch of tours in the near future, and we promise we’ll be back in the UK and the mainland very soon. We do want to clarify that none of the bands or promoters involved in those upcoming tours forced us to cancel the November dates. This was a decision we made ourselves, although we can assure you it was not an easy one. We’re really sorry for any inconvenience this may cause. We know some of you have not only bought tickets but may have already booked accommodation and transportation or taken a day off work. We really appreciate the effort you’ve made to come see us, and we’re genuinely sorry to let you down. We hope you understand. Also a big thank you to all the bands on this run that were down to share the stage with us and also made efforts to make themselves available for this tour, please check them out.

Refunds will be issued at point of sale. We will make this up to you in the future.

Effigy presents PETROL GIRLS plus special guests YAKKIE live Downstairs at The Dome

Petrol Girls are back for their first London headline in four-years!! The band is a glorious staple of the post-hardcore scene. Their playful, fast-paced and chaotic punk is a political blast of rage that is as important as it is fun, as demonstrated on their excellent 2022 full-length, ‘Baby’. They will play a string of shows this summer alongside Dead Pioneers incl. at 2000trees Festival before hitting London this fall. It’s damn good to have them back!

Bad Vibrations presents THE MOONLANDINGZ plus Y, TURNSPIT and SLOW COOKED live at The Dome

Comprising members of agit-punks Fat White Family and synth prog group Eccentronic Research Council, the Moonlandingz began life as a fictional band on the ERC's 2015 album, Johnny Rocket, Narcissist & Music Machine...I'm Your Biggest Fan.

A tale of a female fan stalking her favorite singer, Johnny Rocket, of her favorite band, the outer space rockabilly Moonlandingz, the ERC needed someone to play the band, so they brought in Saul Adamczewski and Lias Saoudi of Fat White Family to help out. They recorded an EP to go along with the album and then, buoyed by the experience, everyone involved decided to take it one step further and make the Moonlandingz a real live band. The resulting album, Interplanetary Class Classics, was released in early 2017 on Chimera Music. They toured the U.K. and Europe, then released the This Cities Undone EP late in the year. Their last shows of 2017 were billed as possibly their last ever, as the bandmembers resolved to return to their regular gigs. Their record label wasn’t ready to say goodbye, however, and in early 2018 released a deluxe edition of Interplanetary Class Classics that came with a second disc of remixes, demos, and stray tracks.

In 2025, they returned with a new album, No Rocket Required.

Academy Music Group presents BREED 77 plus supports TBC live Downstairs at The Dome

Breed 77 formed in London in 1996. Originally comprised of members from Gibraltar, a small British Territory at the mouth of the Mediterranean – this birthed their sound; a unique fusion of Flamenco and North African influences mixed with alternative Rock & Metal, equal parts exotic and explosive!

Cutting their teeth on the UK live circuit, it wasn’t long before the band was named Best Unsigned Act by Kerrang and Best New Band by Metal Hammer on the back of relentless touring. In 1999, a mere 3 years after forming, the band is selected as the sole support for the Black Sabbath Original Line-up reunion at the London Astoria – the show goes down a storm and at the start of the new millennium Breed 77 sign to Alberts UK .

They release 4 albums on Alberts; Breed 77 2001, Cultura 2004, In My Blood (En Mi Sangre) 2006 and the Spanish language Un Encuentro in 2007. It was with Cultura that things really took off – entering the UK rock charts at number 3 and spawning 3 singles that bothered the mainstream charts with ballad The River breaking into the UK Top 40 at a time when rock was not common in the charts.

In 2009, Insects is released on La Rocka Records, a sprawling concept album ripe with social and political commentary – featuring the stand-out cover of The Cranberries, Zombie.

The Evil Inside is released on Frostbyte/Universal in 2013, darker, moodier and a straight-up rockier affair; lead single Bring On The Rain launches to critical acclaim.

Breed 77 is known for their incendiary live shows and have toured the world extensively with the likes of Megadeth, Machine Head, Korn, Life of Agony & Prong and many more.

Fast forward to the present day and Breed 77 is back – new album VII set to release in November 2026 – 3 singles out already: End Of The Line, Outside & Just Act Like You Know – with triumphant performances at Bloodstock Open Air UK, Uprising UK & Z-Live ESP, the future’s on fire right now for Breed 77!

Action! presents URNE with special guests The Grey and Moon Reaper live at The Dome

URNE have spent the last few years whipping up a firestorm of grit, swagger and grandiosity.

Snarling hardcore, extreme inflections, and a strong sense of heavy metal’s inherent classicism, all burn together within Urne’s burial chamber and propel the band forward.

With their new studio album, ‘Setting Fire To The Sky’, in tow, URNE are their incandescent form of modern metal onto London this November!

423 presents TALIB KWELI plus supports TBC live at the Dome

The Talib Kweli show due to take place on Wednesday 19 August at The Dome London has been rescheduled to Monday 16 November 2026. All tickets already purchased will be valid for the new date. If you are unable to attend the new date, refunds will be available via your point of purchase. 

Brooklyn's Talib Kweli is revered for his insightful, intelligent lyrics and advanced technical skills on the mic. The earnest MC became one of the most critically successful rappers of his time, which dawned in the late '90s when he formed Reflection Eternal with DJ Hi-Tek and rapped alongside Mos Def as part of the group Black Star.

Their widely acclaimed 1998 album debut, Black Star, helped make Rawkus Records one of the premier underground rap outposts of the late '90s. Reflection Eternal's debut full-length, 2000's Train of Thought, preceded a prolific solo career, which included the gold-certified Quality (2002) and Eardrum (2007), which hit number two on the Billboard 200. Kweli released several albums and mixtapes through his company Blacksmith Music, then formed the independent Javotti Media in the early 2010s, releasing lower profile but acclaimed efforts like 2017's Radio Silence. He remained busy into the 2020s, with two podcasts as well as a collaboration with Diamond D called Gotham, and a 2023 joint effort with Madlib titled Liberation 2.

Real Life & Be Sharp presents SHELTER plus supports, Bad Beat and Cosmic Joke

Action! presents in association with TKO, MASON HILL plus special guests live Downstairs at The Dome

Mason Hill guitarist and founder James Bird has fire in his eyes and conviction in his voice when he talks about the new chapter his band are about to embark on. 

“It feels like a brand new start,” he says. “We’ve taken all the things we’ve learned and done to this point and stepped them up. I can genuinely say that this isn’t just a better version of Mason Hill, it’s the best version.”

Four years after they scored a Top 20 album with 2021 acclaimed debut album Against The Wall, Mason Hill are re-entering the fray with renewed intent and a brilliant new song, the exhilarating Remember. But while Remember bears all the classic Mason Hill hallmarks – not least a massive riff, blockbusting chorus and utterly modern metal dynamics – it feels like a huge step forward for the Glasgow-based band.

There’s a reason for this. While the core of Mason Hill is the same as the band that made Against The Wall – James plus guitarist Marc Montgomery, bassist Matt Ward and drummer Craig McFetridge – Remember marks the debut of new singer Tom Ward, whose versatile voice brings different dimensions to Mason Hill’s signature sound as he switches from emotive whisper to arena-rattling power in a heartbeat.

“It feels like a turning point,” says Tom of this new chapter, of which he’s a key part. “We’re super-hungry for it.”

“All the good stuff and the bad stuff, I’m glad it happened in a sense,” adds James. “Because without it we wouldn’t be in this place we’re in right now, talking about songs like Remember, which I couldn’t be more excited about. We’re so ready to get back out there. This is who we are now. This is Mason Hill.”

Real Life & Be Sharp presents YOUTH OF TODAY plus supports from COSMIC JOKE, SUPERNOVA and BAD BEAT live at The Dome

hollow.moon.ldn presents DIMSCUA plus supports HUNDRED YEAR OLD MAN and CAIRNS

After a year blowing minds at festivals and in support slots, Dimscua embark on their first run of headline shows. The post-metal outfit will be performing hotly anticipated new material, the first since acclaimed debut release ‘Dust Eater’.

Joining them in London are Hundred Year Old Man and Cairns.

PLEASE NOTE: SHOW MOVED FROM THE BLACK HEART ALL ORIGINAL TICKETS REMAIN VALID

AEG presents WES GHOST plus special guests live at The Dome

WesGhost exists at the intersection of emotion and energy, blending 2000s pop-punk, alternative, and hip-hop into a sound that feels both familiar and forward-moving. Masked by his signature balaclava, he strips away image to focus on connection—turning vulnerability into something loud, distorted, and shared.

His projects DON’T WORRY, I’LL BE FINE (2024) and AM I DREAMING? (2025) dive into anxiety, self-doubt, and release, helping shape the WesGhost Collective—a fan community built around feeling seen rather than fitting in. With a co-sign from Blackbear, a Diplo collaboration on “Psychward,” and his latest single “GASLIGHT” pushing his sound even further, WesGhost continues to break genre rules while keeping his world rooted in honesty, intensity, and togetherness—with a world tour set to be announced soon.

Live Nation Presents VIOLENT VIRA plus special guest CLAUDIO TRAINA live at The Dome

VIOLENT VIRA channels her music from traumatic yet deeply relatable life experiences and extraordinary empathy for the world around her. That sensitivity manifests at both extremes, swinging between beguiling melodies and cathartic screams. The Mexican-American songstress born Amy Gonzalez, alongside bandmates Anthony Brown and Matt Bolling, has quietly emerged as a hard rock phenomenon with hundreds of millions of streams and dozens of sold-out shows.

Born to first-generation Mexican parents, Amy grew up in a trailer park in Boise, Idaho. Her mother always made sure there was food on the table, but the family faced the harsh reality of a broken system made even colder by unforgiving winters. Finding solace in art, she went from listening to Mexican pop juggernaut RBD to obsessing over Selena and Michael Jackson before later discovering Evanescence, Linkin Park, and Three Days Grace.

Live Nation Presents VIOLENT VIRA plus special guests live at The Dome

VIOLENT VIRA channels her music from traumatic yet deeply relatable life experiences and extraordinary empathy for the world around her. That sensitivity manifests at both extremes, swinging between beguiling melodies and cathartic screams. The Mexican-American songstress born Amy Gonzalez, alongside bandmates Anthony Brown and Matt Bolling, has quietly emerged as a hard rock phenomenon with hundreds of millions of streams and dozens of sold-out shows.

Born to first-generation Mexican parents, Amy grew up in a trailer park in Boise, Idaho. Her mother always made sure there was food on the table, but the family faced the harsh reality of a broken system made even colder by unforgiving winters. Finding solace in art, she went from listening to Mexican pop juggernaut RBD to obsessing over Selena and Michael Jackson before later discovering Evanescence, Linkin Park, and Three Days Grace.

Dictionary Pudding presents GONG plus supports live at The Dome

The universe of Gong began in 1969 when Daevid Allen was inspired by a profound psychedelic vision. A founder member of Soft Machine, Allen incorporated his spiritual and metaphysical leanings into an evolving collective, more a mythology than a band in the conventional sense.

The current incarnation, who were put together by Daevid before his swansong album with Gong, ‘I See You’, honour his intention that Gong do not die with him, urging the band to “carry it on into new unknown heights and depths far beyond anything I could ever imagine myself”.

The collective is the most stable in Gong’s illustrious history, having written, recorded and toured together for eleven years since Allen’s passing. A dynamic, powerful and explosive live band, their music draws from the credo of the original Gong while remaining committed to pushing the composition, performances and message into new realms, paying no mind to nostalgia. Gong in 2026 continue the ethics, attitude and lifestyle that was always woven into the fabric of the band.

Born Again Concerts proudly presents the ALLIED IN CARNAGE TOUR - XENTRIX with special guests TORTURED DEMON and STRUCK A NERVE live Downstairs at The Dome

XENTRIX were called SWEET VENGEANCE from 1984 to 1988. The original lineup consisted of vocalist/rhythm guitarist Chris Astley, guitarist Kristian Havard, bassist Paul MacKenzie, and drummer Dennis Gasser. The band attracted attention with a five-star rating from Kerrang! magazine, and Roadrunner_Records then contacted the band asking them why they had not been sent a copy and arranged an audition with the band. After the audition, the band were signed to the label and recorded their first album Shattered Existence in the summer of 1989. The band toured with SABBAT in support of the album.

In a June 2019 interview with Metal Crypt, guitarist Havard revealed that XENTRIX had already begun writing the follow-up to Bury the Pain. By March 2021, the band had written and demoed at least twelve songs for their new album and announced that August they were in the studio recording it. The album was completed in June 2022, Seven Words peaked at No. 39 on the UK Rock & Metal Albums Chart. In order to promote Seven Words, XENTRIX (along with WHIPLASH and ARTILLERY) supported Vio-lence on their European MTV Headbangers Ball Tour. Astley rejoined by filling in for Walsh on the tour as Walsh was awaiting the birth of his second child in November 2022. XENTRIX renewed their deal with Listenable Records in November 2023 and the band are expected to release a new album this year.

A note from Nervosa

‘To all the friends across the UK. If one thing is certain in life is that Nervosa loves the road. We never cancel shows but unfortunately due to health concerns with Prika, we will not be able to make the UK run with Xentrix. Don't worry; we will be back up and running again extremely soon. Prika just needs time to get better. We promise we will make it up to you all! We Promise!' Love- Nervosa"

Effigy presents CHEEKFACE plus special guests EMPEROR X and PLAYBOY MANBABY live at The Dome

America indie-rock trio, CHEEKFACE, celebrate the release of their all new album, ‘Podium’ - out TODAY - with a return to London this fall for the first time since their sell out UK tour of 2025. 

Cheekface are influenced by the great American talk-singers like Lou Reed, Jonathan Richman and Stephen Malkmus, British post-punk bands like Wire and The Fall and proto-indie bands like The dB’s and Minutemen. The trio chart their own course with their openhearted lyrics set against the backdrop of our chaotic world. To know Cheekface is to love Cheekface. So get involved.

Joining them is the exvangelical folk-punk sounds of US singer-songwriter, Emperor X, and the electrifying Playboy Manbaby, for a triple-bill of fresh and exciting alt, indie and punk fuelled fun.

Live Nation presents I DONT KNOW HOW BUT THEY FOUND ME plus special guests live at The Dome

I DONT KNOW HOW BUT THEY FOUND ME (iDKHOW) is the professional moniker of singer/songwriter Dallon Weekes. Formerly a contributing creative member and bassist for Panic! at the Disco, He also fronted Salt Lake City cult favorite indie band The Brobecks, where he honed his signature blend of retro-inspired alt rock and witty, introspective lyricism. As a multi-instrumentalist and producer, Weekes draws from a variety of influences, blending elements of 70s new wave, glam, 90s Brit-pop, and indie garage rock into his music.

iDKHOW formed secretly in 2016, and quickly gained a cult following despite Weekes spending it’s first year denying the project even existed. With his theatrical aesthetics, infectiously sharp songwriting and charismatic stage presence, iDKHOW has earned not only a Certified Gold Record with the independently produced “Choke”, but has also received critical acclaim, as well as commercial success solidifying Weekes’ place in the alternative music scene and beyond.

Live Nation presents I DONT KNOW HOW BUT THEY FOUND ME plus special guests live at The Dome

I DONT KNOW HOW BUT THEY FOUND ME (iDKHOW) is the professional moniker of singer/songwriter Dallon Weekes. Formerly a contributing creative member and bassist for Panic! at the Disco, He also fronted Salt Lake City cult favorite indie band The Brobecks, where he honed his signature blend of retro-inspired alt rock and witty, introspective lyricism. As a multi-instrumentalist and producer, Weekes draws from a variety of influences, blending elements of 70s new wave, glam, 90s Brit-pop, and indie garage rock into his music.

iDKHOW formed secretly in 2016, and quickly gained a cult following despite Weekes spending it’s first year denying the project even existed. With his theatrical aesthetics, infectiously sharp songwriting and charismatic stage presence, iDKHOW has earned not only a Certified Gold Record with the independently produced “Choke”, but has also received critical acclaim, as well as commercial success solidifying Weekes’ place in the alternative music scene and beyond.

Born Again Concerts presents 1914 - THE WAR THAT NEVER ENDS – WINTER 2026 plus supports with PHOBETOR live Downstairs at The Dome

Trench Warfare Meets Blackened Death-Doom: 1914 Unleash Their Fourth Onslaught of War-Torn Fury!

Ukrainian blackened death/doom metal formation 1914 return with unrelenting force on their fourth studio album, Viribus Unitis, Latin for "With United Forces." Far more than a historical reference to the personal motto of Franz Joseph I of the Austro-Hungarian Empire, the title reflects the band’s resilience through war, loss, and upheaval – a powerful symbol of survival and solidarity. Released in 2025 via Napalm Records, Viribus Unitis builds on the band’s acclaimed conceptual approach, pushing even deeper into emotional and musical intensity.

Musically, 1914 remain true to their identity – brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes. This time, however, their sound gains a broader dynamic range, with soaring melodic leads, orchestral textures, and haunting clean vocals that provide dramatic contrast to the crushing heaviness. One of the album’s highlights is a collaboration with Aaron Stainthorpe (ex-My Dying Bride, High Parasite) on “1918 Pt. 3: ADE (A Duty to Escape),” whose mournful voice adds a solemn, almost liturgical quality to this elegy of grief and brotherhood on the front lines.

Viribus Unitis deepens 1914’s commitment to historical authenticity, both lyrically and conceptually. Told through real events and personal accounts of a Ukrainian soldier in the K.u.K. army, the album traces a timeline from 1914 to 1919, painting a grim journey through the war’s rise, climax, and hollow aftermath.

Bad Vibrations Presents PIGEON plus support live at The Dome

Cosmic exploration. Spiritual transformation. Unbridled spontaneity. These are the guiding principles of Pigeon, a psychedelic five-piece rooted in the English seaside town of Margate, yet making music that transcends borders.

Their debut album, OUTTANATIONAL, is a thrilling collection of party songs without limits: think William Onyeabor in outer-space or early Hot Chip making motorik afrobeat in a 70s New York loft. Building on a string of acclaimed EPs that have been playlisted on 6Music and led to coveted live slots at UK festivals like Glastonbury, Pigeon have evolved out of Afro-disco territory into something moodier. It’s an expansive record laced with heady krautrock, post-punk and punk-funk, indebted to the power of the groove and questing to find the meaning of home.

Pigeon must fly. 

Academy Events presents MENTAL CRUELTY plus supports OV SULFUR, EXTERMINATION DISMEMBERMENT, SUNEATER live Downstairs at The Dome

Founded in 2016, the band played their way through locations in Europe, North America and Germany, and with four releases so far, they made their path into the international metal scene. Working with US Producer Josh Schroeder (Lorna Shore, The Browning, The Plot in You) on their last Album “A Hill To Die Upon” (2019, Unique Leader Records) they created a well-received and long lasting piece of brutality for their fans. 

Fast forward in 2022 their new vocalist Lukas Nicolai joined the ensemble for a new era with demonically vicious pipes. With a new frontman and new upcoming album ”ZWIELICHT” (2023, Century Media; produced by Josh Schroeder) they're off to new shores. This time combining the best of Deathcore and Black Metal for a match made in heaven. Emotional riffs, heavy “back to the roots” breakdowns and epic orchestral arrangements forming the fundament across genres for this LP. 

The guys took clear actions and now fully commit to this new beginning continuing their tireless pace set in their last releases. Risen out of the ashes they cement their name as a permanent instance of the German metal scene and have since been able to keep up with well-known bands of their genres. Their goal is to deliver uncompromising live performances with outstanding vocals and precise instrumental work. Mental Cruelty has created a formative function in social media as well as in the metal community and plans to continue its course.

Live Nation presents I DONT KNOW HOW BUT THEY FOUND ME plus special guests live at The Dome

I DONT KNOW HOW BUT THEY FOUND ME (iDKHOW) is the professional moniker of singer/songwriter Dallon Weekes. Formerly a contributing creative member and bassist for Panic! at the Disco, He also fronted Salt Lake City cult favorite indie band The Brobecks, where he honed his signature blend of retro-inspired alt rock and witty, introspective lyricism. As a multi-instrumentalist and producer, Weekes draws from a variety of influences, blending elements of 70s new wave, glam, 90s Brit-pop, and indie garage rock into his music.

iDKHOW formed secretly in 2016, and quickly gained a cult following despite Weekes spending it’s first year denying the project even existed. With his theatrical aesthetics, infectiously sharp songwriting and charismatic stage presence, iDKHOW has earned not only a Certified Gold Record with the independently produced “Choke”, but has also received critical acclaim, as well as commercial success solidifying Weekes’ place in the alternative music scene and beyond.

Live Nation presents I DONT KNOW HOW BUT THEY FOUND ME plus special guests live at The Dome

I DONT KNOW HOW BUT THEY FOUND ME (iDKHOW) is the professional moniker of singer/songwriter Dallon Weekes. Formerly a contributing creative member and bassist for Panic! at the Disco, He also fronted Salt Lake City cult favorite indie band The Brobecks, where he honed his signature blend of retro-inspired alt rock and witty, introspective lyricism. As a multi-instrumentalist and producer, Weekes draws from a variety of influences, blending elements of 70s new wave, glam, 90s Brit-pop, and indie garage rock into his music.

iDKHOW formed secretly in 2016, and quickly gained a cult following despite Weekes spending it’s first year denying the project even existed. With his theatrical aesthetics, infectiously sharp songwriting and charismatic stage presence, iDKHOW has earned not only a Certified Gold Record with the independently produced “Choke”, but has also received critical acclaim, as well as commercial success solidifying Weekes’ place in the alternative music scene and beyond.

The Pad Presents & Friends introduce SKIDS/ THEATRE OF HATE - Co Headline Tour plus supports live at The Dome

Two era defining artists SKIDS & THEATRE OF HATE come together this autumn for an explosive UK co-headline tour.

The Skids formed in 1977 in their hometown of Dunfermline, Scotland by Richard Jobson, Stuart Adamson, Bill Simpson & Tom Kellichan. After releasing an independent single the band was played by John Peel, supported The Clash in concert and then were signed to Virgin Records in 1978. Their first singles were “Sweet Surburbia”, “The Saints are Coming” and “Into the Valley” – the latter reaching the UK Top Ten in early 1979.

Their seminal debut album “Scared to Dance” came out in 1979 which was quickly followed by two chart singles – “Masquerade” and “Working for the Yankee Dollar”. Both singles were taken from the Bill Nelson produced second album “Days in Europa”. The album also featured new member Rusty Egan of Rich Kids & Visage fame after the departure of Tom Kellichan. The band released two more albums “The Absolute Game” (1980) and “Joy” (1981) before splitting.

The current Skids line up sees the lineup stripped back to an explosive 4 piece with Richard Jobson, Peter Byrchmore (Membranes), Hernandez (Drums) & Connor Whyte (Guitar).

Born Again Concerts proudly presents THE FELL Downstairs at The Dome

Fusing soaring vocals, elite musicianship, and massive, modern rock production, THE FELL deliver hard-hitting, emotionally charged anthems that connect with fans across generations. Their sound is both cinematic and immediate, anchored in timeless rock energy but elevated by contemporary edge and sonic depth.

The band hit the ground running in 2025, releasing singles "Killswitch," "Face Out," and "Trippin'" ahead of their debut Killswitch EP: five tracks of hard rock heft. Their most recent single is "Footprints," a track with a storied history, its video originally filmed years ago in a WWII-era underground bunker in Warsaw, Poland, and recently completed with new footage.

Not resting on their laurels, with new material on the way and a slate of high-quality music videos ready for release, THE FELL are poised to make a serious mark on the global rock scene. Their upcoming music blends high-octane energy, lyrical depth, and commercial polish designed for arenas, airwaves, and everything in between.

Fans will get their next taste via forthcoming new single "The Way I Love You." The band have kept their cards close to their chest on the track so far, bar revealing its release is set for September 14th via their label Noise Nation Records / BCMG Recordings Inc., distributed worldwide by The Orchard.

While fans wait, whether headlining festivals or supporting major tours, THE FELL bring a next-level live show built on chemistry, credibility, and true musical excellence.

Academy Events presents HALF ME plus supports live Downstairs at The Dome

Formed in Hamburg, Germany, Half Me have spent the last two years relentlessly taking their sound across the world, carving out a reputation as one of heavy music’s most distinctive emerging voices. Blending crushing intensity with an unsettling emotional weight, the band occupies a space where discomfort and honesty become inseparable.

While working on their second full-length album, Half Me are stepping beyond the monochrome world that defined their previous era. The new material does not seek refuge in shadows, it drags everything into the harsh light instead. It is a confrontation with reality at its most exposed — uncomfortable, unfiltered, and impossible to ignore.

Heavy, dynamic, and unmistakably their own, the band continue to refine a sound that feels both violent and vulnerable.

With new music arriving throughout the year and another extensive touring cycle ahead, Half Me are preparing to bring their next chapter to audiences worldwide. Uncomfortable, but true.

Old Empire proudly present WARNING plus special guests SEMANTRON live at The Dome

As Warning release their first new music in twenty years, Patrick Walker is self-effacing about what led to this moment. Over the last two decades, he has continued to write and release music; his attention was diverted to 40 Watt Sun, satisfied that he had achieved what he had set out to do with Warning. But in those intervening years, interest in Warning has swelled, organically gathering an ardent fanbase.

In particular, the 2006 album, Watching from a Distance, has gained a cult following. After a successful string of shows playing the album in 2017, Patrick knew he had a solid live band on hand but did not feel the call to write new Warning material.

In response to a transformative period in his life, Patrick turned towards writing new songs, and it soon became apparent that these belonged to Warning. In early January 2025, he started with a completely blank canvas, and piece by piece, day by day he started to fill it with ideas that evolved to become the songs that make up Rituals of Shame. He worked on the material all day, seven days a week, over three months, his immersion in the project becoming a full-time pursuit.

In the slivers of time in between writing, a deal with Relapse was struck to release the album, which gave Patrick further impetus to complete the task in hand. Recording took place at The Arch Studio, a 140-year-old former church in Southport, UK, with recording and mixing handled by Chris Fullard (Idles, Sunn O))), Ulver). Having already worked with Chris on two 40 Watt Sun records, Patrick had developed an appreciation for his way of working: providing a light touch of structure to the process, allowing the songs to unfold as Patrick intended.

Lifelong musical inspirations of Patrick’s can be traced through Rituals of Shame, although they may at first be hard to identify. The ambitious structural arrangements harken to Marillion’s complex but soaring episodic songs. They retain a sparsity that is reminiscent of June Tabor’s economic arrangements; thick with melody but with a diaphanous air to them. Citing John Brenner of Revelation as an enduring inspiration, Patrick credits him with introducing the idea of how to infuse heavy music with significant emotional depth.

Often reluctant to be drawn on the minutiae of his lyrics, Patrick does acknowledge that making this album was a direct response to the very present period of his life, its concerns being immediate. Rituals of Shame also echoes the enduring themes and fixations that have marked most of his work: guilt, shame, personal failure, obsession, longing, and separation, but, most of all, he says, love.

Live Nation presents BEX plus supports live Downstairs at The Dome

If punk had a baby with 90s grunge, it would be named BEX. Rebellious, fearless, and unapologetically herself, she exists at the intersection of riot grrrl, alt-rock, and power ballads, with a unique sonic identity built around two bass guitars and lyrics that cut to the bone.

BEX is not just a musician. She is a seamstress, a community builder, a fashion designer, and a storyteller - a complete DIY ecosystem built entirely independently, spanning music, fashion (Scallywags), community (Scum Club) and media.

SJM presents Novulent plus supports live Downstairs at The Dome

Starting their music journey at 17, Novulent has been making a name for themselves as a singer and songwriter. With just a phone and earbuds, Novulent has made one of the biggest shoegaze songs to date, Scars, which has 203 million views and counting at just 18 years old. Forging an entirely new lane in modern music,

Novulent stands as one of the pioneers of “nugaze”; a bold evolution of shoegaze that redefines the genre for a new generation. Their polarising sound fuses elements of shoegaze, emo, darkwave, J-rock, indie, and nu metal into an immersive, emotionally charged experience that resonates deeply with their devoted fanbase, known as The Novas.

DHP Family Presents THE BLACK QUEEN plus supports live Downstairs at The Dome

Born Again Concerts proudly presents UNDERWORLD EUROPE TOUR 2026 NILE with special guests REDSPHERE | INTREPID | ORECUS live at The Dome

With their diehard fans at their side, NILE fearlessly faced the planet’s inevitable end with zero histrionics on their 10th album, The Underworld Awaits Us All, released via Napalm Records.

Upon release, the album made an immediate global impact. In the U.S., it reached #2 on Billboard's Current Hard Music Albums chart and #8 on Current Rock Albums. In Canada, the record secured the #1 spot on the Billboard Hard Music Albums chart, while also landing at #13 on both the Top Canadian Album Sales and Top Current Albums charts. Across the Atlantic, the international momentum continued with strong placements in major European markets. In the UK, the album achieved #5 on the Rock and Metal Charts and #11 on the Independent Charts. France saw the release claim the #1 spot on the Metal Charts, while Finland logged a #4 placement on the Physical Charts. The album also secured impressive main album chart rankings across Central Europe, landing at #11 in Austria and #20 in Germany.

Boasting airtight technicality and unrelenting brutality, The Underworld Awaits Us All pushed each member of NILE to their furthest extremes both in artistry and performance.

This era now marks a powerful evolution for the band's live execution. Following the addition of guitarist/vocalist Zach Jeter (Lecherous Nocturne, Olkoth, Hideous Divinity) in 2024 and bass warrior Adam Roethlisberger (Vitriol) in 2025, NILE continues to endure as a formidable four-piece force on stage. Helmed by founder Karl Sanders and long-time drum virtuoso George Kollias, Jeter and Roethlisberger complete a battle-tested unit delivering the band's signature three-pronged vocal attack live.

JOHN MITCHELL / LONELY ROBOT plus supports live at The Dome

John Mitchell is bringing his Christmas concert back. John Mitchell & Friends will play The Dome in Tufnell Park, London, on Friday 18 December.

Last year’s December show at Dingwalls was a huge success. Since then, the new Lonely Robot album, An Ending, has been released to great acclaim, so another Christmas concert felt like the obvious next step.

Once again John welcomes his long-standing musical collaborators Craig Blundell (Steve Hackett, Steven Wilson), Oskar Holldorff (Big Big Train, Dim Grey) and Jez Fielder (Songs and Stories) to the stage.

The evening’s set will cover John’s career across Lonely Robot, Frost, It Bites and Kino. This year there’s something new. For the very first time, the audience will hear a few tracks from An Ending played live.

Come and join us. It’s the perfect way to kick off the Christmas festivities!

Academy Music Group presents TOWARDS THE SINISTER plus supports WINTERFYLLETH and OPIA live at The Dome

FEATURING ORIGINAL FOUNDING MEMBERS OF MY DYING BRIDE. PERFORMING SONGS FROM MY DYING BRIDE 1990-1997

Towards the Sinister brings together key architects of My Dying Bride's classic era to celebrate and resurrect the dark, mournful atmosphere that helped define the death-doom genre.

The line-up features Aaron Stainthorpe, founding members Calvin Robertshaw and Rick Miah, and original bassist Adrian Jackson, performing material drawn primarily from the band's seminal early releases including As The Flower Withers, Turn Loose The Swans, The Angel and the Dark River and Like Gods of the Sun.

It is a rare opportunity to witness the musicians who helped create this music returning to the songs that established My Dying Bride as one of the most influential and enduring names in gothic doom metal.

Live Nation presents BIG ASS TRUCK plus special guests: PINTGLASS + TEMPERS FRAY + XILE live Downstairs at The Dome

BIG ASS TRUCK I.E.

BORN IN THE INLAND EMPIRE.

FUELED BY DIESEL AND BAD DECISIONS.

2000 HORSEPOWER BREAKDOWNS. 12-TON RIFFS.

ANYONE IN THE WAY CATCHES THE BACK WHEEL STOMP.

NOT A BAND. A WRECKING CREW ON BALD TIRES.

BIG ASS TRUCK I.E. ISN’T HERE TO PARTAKE IN HARDCORE. IT’S HERE TO RUN IT OVER, BACK IT UP, AND RUN IT OVER AGAIN.

BIG SOUND. BIG ENERGY. BIG ASS TRUCK.

Live Nation presents
LAUREN SANDERSON live at The Dome

Lauren Sanderson is a singer, songwriter, and performer who has built her career on instinct, independence, and a refusal to be anything other than exactly who she is.

From a breakout TED Talk to over 100 million streams, she’s built her career on honesty, chaos, and control. Her new album LAUREN is her loudest, most self-assured work yet, featuring tracks like “SPELL IT OUT,” “COME SAY SUM,” and “POSSESSIVE.”

Slam Dunk presents PRINCE DADDY & THE HYENA plus supports GAFFA TAPE SANDY and JETSKI live at The Dome

When you name your band Prince Daddy & The Hyena, you sort of accept that chaos isn’t a chapter in your story – it’s the entire ethos.

Since forming out of Albany, NY’s DIY scene, Prince Daddy & The Hyena have built a career out of reaching their breaking point and continuing forward anyway.

Their first LP, produced by Joe Reinhart, captured a very young band figuring things out in real time; their massive conceptual undertaking Cosmic Thrill Seekers followed and pushed their ambition (and patience) to new extremes. Not long after, a serious van accident nearly took their lives, directly informing the intensity of their self-titled record. Over the last decade, the band has lost close friends and collaborators, endured relationship struggles, and faced countless moments that would have ended most bands without question.

But those experiences never slowed Prince Daddy & The Hyena down. On their upcoming fourth album, Hotwire Trip Switch, they recalibrate and reconnect with their roots while sounding more focused and self-aware than ever. Reuniting with Joe Reinhart for the first time in nearly a decade, the album pulls from the punchy lineage of Green Day, the hook-driven quirk of Weezer, the snarky urgency of Joyce Manor and Jeff Rosenstock – all through the distinctly bratty lens of songwriter and vocalist Kory Gregory. He’s backed by an airtight band including guitarist Cameron Handford, drummer and vocalist Daniel Gorham, and bassist Jordan Chmielowski

Born Again Concerts proudly presents MISERIA IS A STATE OF MIND 2027 LOST SOCIETY x HOKKA with support.

Lost Society are a Finnish Metal band from Jyväskylä, formed in 2010. The lineup consists of guitarist/vocalist Samy Elbanna, guitarist Arttu Lesonen, bassist Mirko Lehtinen, and drummer Taz Fagerström. 

On their first two albums, Fast Loud Death (2013) and Terror Hungry (2014), they delivered fast and raw Thrash Metal with aggressive and party-themed lyrics often revolving around alcohol consumption. Their style started to change in their third album, Braindead (2016). While Braindead is still considered a Thrash Metal album, the band started incorporating elements of Groove Metal and Metalcore in their music and most of the lyrics started to shift to other topics rather than partying and binge drinking. This trend became more evident on their fourth album, No Absolution (2020), in which the band completely moved away from Thrash Metal. No Absolution can be classified as a blend of Metalcore, Death Metal, Groove Metal and Nu Metal. The lyrics on No Absolution focus on religion and its negative influence on people and society.

Their fifth album If The Sky Came Down (2022) has shown the fans a more modern musical style. If the Sky Came Down is, similarly to No Absolution, a Metalcore album mixed with Nu Metal and Groove Metal. The lyrics on their fifth album have angsty and existential dread themes. This stylistic direction would continue further on their next album Hell Is a State of Mind (2026), which also saw the band incorporate symphonic elements. 

AEG Presents MELTT plus supports live The Dome

DHP Family presents SCARLET REBELS plus supports TBC live Downstairs at The Dome

Welsh rock band Scarlet Rebels have announced their first headline tour in three years, with the 2027 UK run kicking off on 11 February. The announcement comes alongside the release of their brand-new single and video, ‘Chains’, the third track to be taken from their forthcoming album Flawed By Design, due for release on 13 November 2026 via Earache Records.
 
The video for ‘Chains’ was filmed at Scarlet Rebels’ biggest headline show to date at Chepstow Castle, capturing a landmark night for the band in front of a huge home crowd.

Recorded with returning producer Chris Clancy, Flawed By Design continues the progression of Scarlet Rebels’ sound following their previous top 20 album Where The Colours Meet. The new record combines the band’s instinct for powerful rock songs with a more personal and introspective approach to songwriting.
 
‘Chains’ began unexpectedly, with the song coming together from a single idea at home. Wayne Doyle explains,
“This song dropped out of the blue, quite literally. I picked my acoustic guitar up at home, hit the first chord and sung ‘Set my soul on fire again’. It went from there. This was the first song we started to work on for the record.
The song speaks of my internal thoughts and anxieties, the over thinking and over analysing that can be overbearing and weigh you down, resulting in a pleading to be released from that burden or my ‘chains’ if you will.
I’m conscious that anyone reading this must think I’m constantly walking around being miserable, but like anything that takes any sort of art form, the point is exaggerated for the greater good.”

Action! presents THE LAST INTERNATIONALE plus special guests live Downstairs at The Dome

The Last Internationale, also known as TLI, is a NY band formed by singer Delila Paz and guitarist Edgey.

Especially known for their powerful live performances, TLI has shared the stage with acts such as Robert Plant, Neil Young, The Who, Kings of Leon, Slash, Scott Weiland, Weezer, One Republic, Tom Morello, Lenny Kravitz, Incubus, Royal Blood, The Cult, Rival Sons, KISS, Deep Purple, opened for Guns and Roses AND played most of the major festivals throughout Europe, including Pink Pop, Rock Werchter, Hellfest, Mad Cool, Lollapalooza, and Hyde Park.

Their debut album, We Will Reign, was released on Epic Records in 2014. The record was produced by Grammy Award-winning rock producer Brendan O'Brien and features drummer Brad Wilk (Rage Against the Machine), who joined and toured with the band throughout the duration of that record cycle.

SJM presents MASTER PEACE plus support live at The Dome

Never one to fit neatly into a singular box, Peace grew up with Skepta and Giggs in his brother’s headphones, and The Kooks, Bloc Party and Vampire Weekend in his own. By the time he was making music himself, he’d already learned to navigate both worlds. “I always had my foot in each door but never felt like I fit in with either crowd, so I decided I needed to create something new,” he says. That split identity birthed his genre-hybrid sound.

Earlier this year Peace entered a new era, with ‘Stupid Kids’. Released February 27th 2026, the EP stood as a celebration of resilience and a rejection of doubt, with Peace’s past looming large in the story. Growing up with crime on his doorstep, and losing friends to violence and prison shaped how he sees the world - one he could easily have been pulled into. As a child, his God-fearing family thought he was possessed - he wasn’t, of course. He was instead living with undiagnosed autism and ADHD. Written off by teachers, kicked out of school with no qualifications, and labelled “a stupid kid,” Peace’s path could have gone another way.

This project is for those kids - the ones who’ve been misunderstood, underestimated, or given up on. For the first time, Peace is opening up about that side of his life.“Yeah, I am a stupid kid, and I left school with no GCSEs… but I managed to beat the odds,” he says, not with bitterness, but with pride. In navigating a system that didn’t understand him, Peace channels years of frustration and growth into the music.

Crosstown Concerts presents THE HOLD STEADY live at The Dome

The Hold Steady are one of America’s most acclaimed and enduring bands, formed in Brooklyn in 2003 by singer and songwriter Craig Finn and guitarist Tad Kubler. Drawing on classic rock, punk and heartland Americana, the band have built a fiercely loyal international following through Finn’s vividly detailed storytelling and their famously exuberant live performances.

Regular visitors to the U.K. since 2007, live highlights have included a sold-out headline slot at London’s Roundhouse in 2008 and an appearance on The Other Stage at Glastonbury in 2010 and their now-established annual London Weekender has seen the band take over venues including the Electric Ballroom, 100 Club, Dingwalls and here at The Dome.

Across a career spanning more than two decades, The Hold Steady have released a run of acclaimed albums that have established their distinctive place in modern rock.

Their 2004 debut, Almost Killed Me, introduced Craig Finn’s vivid storytelling, followed by the critically acclaimed Separation Sunday (2005). Boys and Girls in America (2006) brought wider recognition and remains one of the band's defining records, while Stay Positive (2008) further cemented their reputation for anthemic, character-driven rock. Later releases including Teeth Dreams (2014), Thrashing Thru the Passion (2019), Open Door Policy (2021) and The Price of Progress (2023) have continued that evolution.

Flash Delirium presents JIM E. BROWN plus supports live at The Dome

Teenage pop sensation Jim E. Brown is an obese alcoholic who suffers from various degenerative conditions. Fresh off a string of sold-out shows across the world, Manchester's beloved son makes his long-awaited return to London for a special one-off show.

‘As a born and bred Mancunian...Brown’s sound understandably draws from Manchester’s post-punk and baggy tradition. Drum machines and synths shimmer like a crap New Order. He wails like the Fall’s Mark E. Smith, if Smith was a shame-ridden depressive. He rhapsodises like John Cooper Clarke, if Clarke was raised on YouTube brain rot.

“Never heard of them,” says Brown.’

Sydney Morning Herald - Robert Moran, MAY 24, 2025

Flash Delirium presents JIM E. BROWN plus supports live at The Dome

Teenage pop sensation Jim E. Brown is an obese alcoholic who suffers from various degenerative conditions. Fresh off a string of sold-out shows across the world, Manchester's beloved son makes his long-awaited return to London for a special one-off show.

‘As a born and bred Mancunian...Brown’s sound understandably draws from Manchester’s post-punk and baggy tradition. Drum machines and synths shimmer like a crap New Order. He wails like the Fall’s Mark E. Smith, if Smith was a shame-ridden depressive. He rhapsodises like John Cooper Clarke, if Clarke was raised on YouTube brain rot.

“Never heard of them,” says Brown.’

Sydney Morning Herald - Robert Moran, MAY 24, 2025

Born Again Concerts Presents DRACONIAN plus support from SATURNUS live at The Dome

Swedish Gothic Doom Masters - DRACONIAN can be pronounced in the same breath as other Doom-oriented Metal leaders CANDLEMASS, PARADISE LOST, KATATONIA and MY DYING BRIDE. In over 30 years, DRACONIAN's sound has always remained steadfast to its origins. In particular, the powerful vocal growls of Anders Jacobsson, one of the band's defining and most unique features, along with Lisa Johansson melodic and atmospheric female vocals. The band delivered seven studio albums so far, with which they immediately convince the listener with Beauty and the Beast-esque vocal contrasts, striking accents, and threatening moods.

Born Again Concerts proudly presents GOD IS A VAMPIRE TOUR - MOONSPELL with special guests IOTUNN | TODOMAL

40 shows. 19 countries. One pack.

Portuguese dark metal icons MOONSPELL are taking FAR FROM GOD on the road in spring 2027 for their most ambitious headline tour to date - and a celebration of 35 years of darkness.

Following the release of their critically acclaimed and fan-praised album, the band will bring the GOD IS A VAMPIRE TOUR to fans across Europe. And they mean ALL ACROSS EUROPE.

From Germany, France, Spain and the UK through Scandinavia and Eastern Europe, the route reaches Romania, Bulgaria, North Macedonia, Greece, Serbia and Croatia before returning through Central Europe. This is a tour that goes beyond the usual stops, bringing the pack together across the continent.

An exclusive new stage design, powerful lighting, immersive video and commanding sound will bring the dark atmosphere of FAR FROM GOD to life. Celebrating both a new chapter and their 35th anniversary, MOONSPELL are preparing a show worthy of the occasion.

Two handpicked special guests complete the line-up: IOTUNN, the rising progressive metal force from Denmark and the Faroe Islands, and TODOMAL, Spain’s extraordinary atmospheric doom metal outfit.

Kicking off in March 2027, the GOD IS A VAMPIRE TOUR will unite three distinct visions of heavy music for an unmissable journey across Europe.

Join the pack. GOD IS A VAMPIRE.  

1664 Music and Born Again Concerts proudly present TURBO plus supports DYING VISION + KNOWW live Downstairs at The Dome

Turbo is one of the most important and longest-running heavy metal bands in Poland.

Founded in 1980 in Poznan, the band has remained active both on stage and in the studio for over four decades, releasing twelve studio albums, performing thousands of concerts in numerous countries across Europe.

In March 2025, Turbo released Blizny (Scars] - its first studio album of new material in eleven years. Released by Mystic Production, the album reached No. 1 on Poland's official

OLiS sales chart and earned the band a Fryderk Award nomination in 2026.

Presented by Kilimanjaro & Primary Talent International DEAD PIONEERS with guests live at The Dome

Dead Pioneers are a Denver-based punk band led by multidisciplinary artist and vocalist Gregg Deal. Rooted in Deal’s work around Indigenous identity, resistance, history, and contemporary political life, the band pairs his sharp spoken-word delivery with urgent, increasingly expansive punk. Since their 2023 debut, Dead Pioneers have built a reputation for confrontational, darkly funny, politically charged music, with the band increasingly willing to stretch beyond straightforward hardcore and punk forms. Completed by guitarists Josh Rivera and Abe Brennan, bassist Lee Tesche of Algiers, and drummer Shane Zweygardt, Dead Pioneers have released three albums through Hassle Records, toured extensively in the U.S. and Europe, performed on KEXP, and shared stages with Pearl Jam, Propagandhi, and Pennywise. Their latest album, Wagon Burner, is their most dynamic and confrontational record yet.

FORM Presents ILUKA Plus Supports TBC live at The Dome

ILUKA is an Australian born, Los Angeles based singer/songwriter whose career has taken off over the last year with a string of viral songs that have quickly landed her a cult following. Defined by a raspy vocal and a cowgirl twang, with the addition of her signature style she is shaking up all the right elements of a uniquely crafted artistic cocktail. Raised on a farm in the Blue Mountains of Australia, ILUKA learned the craft of song and soul from her father, a skilled luthier. His handmade guitars were more than instruments—they were the foundation of her sonic journey. From the start, ILUKA has been driven by a singular vision to create music that is brave. Her songs are both vulnerable in their storytelling and memorable in their protest. Themes of resistance, strength, and solidarity pulse through her work, inspired by the fearless influence of artists like Janis Joplin and Stevie Nicks. ILUKA doesn’t just make music—she creates anthems for those who dare to speak their truth and stand their ground. With features in Rolling Stone, FLAUNT Magazine, and NME, ILUKA’s impact is just beginning but if she has anything to say about it she’ll be a force that’s here to stay. Her latest album “the wild, the innocent & the raging” released in November 2025. ILUKA just completed the first leg of “The Wings Tour” where she headlined across major cities in the US and Australia.

Beth Shalom Records presents LAKES plus supports ALPHA MALE TEA PARTY live at The Dome

After nine years, Watford six-piece Lakes will play their final show at Downstairs At The Dome, London, on 3rd April 2027. 

Across four records, Lakes have carved out their own corner of the UK emo and math-rock scene with their intricate, interlocking guitars, twinkly glockenspiel hooks and cathartic melodies. Along the way they've toured with emo legends The Get Up Kids, shared stages with American Football, and been regulars at 2000trees festival. For their final show, they'll be joined by Big Scary Monsters label mates Alpha Male Tea Party. 

One last show, celebrating nearly a decade of music, friendship and the scene that made them.

SC&P presents BLACK MARBLE plus supports TBC live at The Dome

Black Marble (Chris Stewart) emerged from NYCs cold wave revival scene in the early twenty teens, and released his first full length A Different Arrangement in October of 2012. Signed by Sub Pop imprint Hardly Art after releasing just one song online, Black Marble quickly hit his stride alongside other NYC synth acts like Martial Cantrell Led Er East and Frank (Just) Frank - playing small club shows in the bowels of Manhattan's Lower East side to small but dedicated throngs of in-the-know city kids. Released to wide acclaim, it took Stewart four years to follow it up with 2016s It’s Immaterial. Well received in it’s own right as a worthy successor to the strict, slightly dour and yet catchy formula that seemed to galvanize so quickly with ADA, It’s Immaterial saw Stewart exploring slightly more melodic territory without losing the charm that gave the project its initial momentum.

2019 saw Stewart change coasts (New York for LA) as well as Labels (Ghostly for Sacred Bones) to coincide with the release of his third album, Bigger Than Life, which reflected the change of scenery by letting more light creep into his sound without losing the detachment of his subject matter. Pitchfork weighed in by saying: Stewart positions many of his characters as passengers observing the city from the window of a crosstown bus, freaky classmates keeping bones under their bed, or lonely introverts looking for salvation in consumerism.

The fourth full length record (and second for Sacred Bones) entitled Fast Idol, released in 2022. On it, Stewart takes the next logical step from BTL, keeping its evolving and more unexpected arrangements while returning to some of the more moody production that defined some of his earlier work. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson’s San Francisco. Writing and playing everything himself, Black Marble carries on the tradition of early synthwave pioneers like Martin Dupont and Modern Art, who made their mark at the end of the 1970s when synths became affordable for the first time.

Bird On the Wire presents CARSIE BLANTON plus supports live at The Dome

Carsie Blanton is a songwriter with hooks, chutzpah, and revolutionary optimism. A radical folk artist in the tradition of Woody Guthrie, her infectious melodies and lyrical wit keep listeners rapt while she conjures spirits of vaudeville, campfire singalongs, and punk rock. Blanton and her road-tested band deploy humor, camaraderie, and considerable musical muscle to enroll each audience in a rare vision of hope and solidarity.

In addition to writing and performing music, Carsie works as a political organizer and activist. In fall of 2025, she participated in the Global Sumud Flotilla, a direct action to bring humanitarian aid to Gaza by sailboat. In early October, after a month at sea, she was imprisoned in Israel for five days along with hundreds of her comrades.

After two decades spent on the road, Blanton has amassed a dedicated fan base and a small menagerie of viral hits, and regularly sells out mid-size venues across the U.S. and Europe.

2026 will find her touring heavily with her own band and in collaboration with Canadian folk-punk rabblerousers The Burning Hell, as well as continuing her organizing work with Artists Against Apartheid and the Party for Socialism and Liberation.

Action! Presents in association with The Team HOT WATER MUSIC plus special guests SMALL BROWN BIKE live at The Dome

Sacrifice. Loyalty. Camaraderie. These aren’t just words, they are the qualities that have defined Hot Water Music’s songs, lyrics and ideology for the past three decades. However, instead of celebrating 30 years of existence with a nostalgia lap or formulaic album, the band decided to mark this milestone with their most ambitious collection of songs to date. Correspondingly, Vows sees the band—guitarists/vocalists Chuck Ragan, Chris Wollard and Chris Cresswell as well as bassist Jason Black and drummer George Rebelo—taking their pioneering punk sound to bold new heights via inventive arrangements, pop-friendly sensibilities and a new generation of musical guests ranging from Dallas Green of City And Colour/Alexisonfire To Brendan Yates and Daniel Fang of Turnstile.

The legacy that Hot Water Music have built over the past 30 years has endeared them to today’s generation of punk and hardcore acts. The fivesome are experimenting with a formula that’s already taken them from sweaty clubs in their hometown of Gainesville, Florida, to massive venues all over the world countless times over as they continue to forge a connection with fans that they’ve never once taken for granted.

Dome Presents THEODOR THE BLUE HEIGHTS TOUR plus supports live Downstairs at the Dome.

Following their acclaimed second album HOLOCENE, THEODOR are entering a new chapter with BLUE HEIGHTS, their third LP. The band's psychedelic soul has grown warmer and more cinematic, blending soulful vocals, hypnotic grooves and dreamy synthesizers with a fresh sense of movement. The new songs move between midnight drives, shifting perspectives, young hearts and brighter days - always somewhere between introspection and the urge to move on. BLUE HEIGHTS will be released as the tour begins, making these shows the first chance to hear the new album live.

Come along for the ride.

Live Nation presents AX AND THE HATCHETMAN plus supports live at The Dome

Since forming in 2018, Chicago’s Ax and the Hatchetmen have gone from a tight-knit group of music school friends to one of the most electrifying young bands in modern rock. Led by guitarist and singer Axel Ellis alongside Sal Defilippis on guitar, Hunter Olshefke on bass, Chaandmon Crofton on drums, Phil Pistone on trumpet, and Quinn Dolan on saxophone, the six-piece first came together while studying jazz at University. But while their musical foundation may be formal, the band’s sound is anything but. A freewheeling collision of rock, soul, funk, and pop that channels the timeless energy of their wide-ranging influences into something distinctly their own.

That chemistry- and a live show built to leave a mark- has taken Ax and the Hatchetmen from packed hometown rooms to sold-out headline tours and the stages of Lollapalooza, the Chicago institution they once looked at with stars in their eyes. Along the way, they released a live album, signed with Arista Records, and built an impressive catalog of releases culminating in the band’s debut album So Much To Tell You. Released in 2025 and produced by Jake Sinclair (Panic! At The Disco, Weezer), the project features the breakout smash “Hotel Room” and “Blurry Lights'“ featuring The Strokes Albert Hammond Jr. All while Ellis simultaneously expanded his creative world with a featured role in the Amazon Prime series “The Runarounds”.

The Spring of 2027 will see Ax and the Hatchetmen travel overseas for the first time, bringing their explosive live show that built their reputation to audiences across Europe and the UK.

DHP presents GLASVEGAS plus supports live at The Dome

Glasvegas return with their fifth studio album, Airy Fairy, marking a bold new chapter for one of Scotland’s most distinctive and enduring bands.
 
Since emerging from Glasgow’s East End, the band have built an intensely loyal following around their atmospheric wall-of-sound and deeply resonant storytelling, with their platinum-selling 2008 debut earning widespread critical acclaim and a Mercury Music Prize nomination.
 
Airy Fairy explores identity, escape, perception, relationships and the complexities of the modern world, questioning the space between what is real and what we imagine or convince ourselves is real. A ‘red line’ runs through the record, connecting its different songs and ideas; while each track has its own identity, they are all rooted in what songwriter and frontman James Allan sees, experiences and understands. This world is brought to life visually through the distinctive artwork of Ross Muir, whose work adds another layer to the album’s themes of perception, reality and imagination.
 
Six years on from their last studio album, this is Glasvegas at their most personal and reflective; a cinematic, emotionally charged record that builds on the sound that made them so distinctive while opening the door to a new generation.